"I’d have to say that accompanying vocalists is tougher, especially if you are with artistes of the calibre of Pt Jasraj or Vidushi Kishori Amonkar. The first 45 minutes can be very involved, intense and slow. You have to concentrate and focus because when things are slow, each beat is magnified a thousand-fold. Even a small chisel at the end of beat stands out."

“I’ve never wanted to fit in Abbaji’s shoes and am happy to walk in my own. My father made it categorically clear even when my brothers or me performed with him. “I don’t expect my sons to be me because what I’m doing is already done. They’ve to be better than me,” he’d say. “Photocopies are eventually consigned to the dust bin and only originals preserved.”

“Similarly people talk about me now but they don't realise that there are equally good tabla players around. I wouldn't call myself a torchbearer or anything of that sort. I am just one of those who is able to articulate, may be slightly better than others.”

“If it weren’t for the masters we wouldn’t have audiences for Indian classical music across the world. As for taking their mission forward, we have a long way to go.”

“Zakir bhai is indeed a phenomenon of our times. It is not surprising that young tabla players are inspired or influenced by him but cloning will only give them a temporary impetus.”

“I remember I was once booed off the stage on day one of a festival at Nagpur within half an hour and the same audiences were eating off my hands the next within the first seven or eight minutes. Everyone has their bad day, if I didn’t I’d be God.”

“I firmly believe that the primary role of the tabla is saath-sangat. Which is why I enjoy being on stage with Shivji , Amjadbhai or Birju Maharaj. I look forward to these concerts. Unlike a solo concert where I am my own boss, here I have to strike a dialogue in the music-making process. This enriches and makes me a better musician and tabla player.”