"The paintings of Francis Bacon to my eye are very beautiful. The paintings of Bosch or Goya are to my eye very beautiful. I've also stood in front of those same paintings with people who've said, "let's get on to the Botticellis as soon as possible." I have lingered, of course."

“True joy is a profound remembering; and true grief the same.”

“Always the sightseers: open-mouthed, disbelieving. There was a force for desolation loose in their midst which could consume their lives at a glance, surely they could see that? But they’d watch anyway, willing to embrace the void if it came with sufficient razzmatazz.”

“One of the reasons why I don't get on with most fantasy writing - enchanted sword fantasy writing - is because I think it's emotionally untrue. People behave in very simple ways, unparadoxical ways. What I'm trying to do is bring into fantasy - as I hope I've been able to bring to horror - a certain kind of emotional realism. People have mentioned sex as being a major part of my fiction. An awful lot of horror fiction simply never contained that kind of material. Which seems to me to be extraordinary because most horror fiction is about the body in some way or other, and therefore it should be about sensuality and eroticism every bit as much as it's about corruption.”

“Of course, there was Hobart. The Inspector was probably insane, but that was all to the good. And he had one particular aspiration which Shadwell knew he might one day need to turn to his own ends. That was, to lead—as Hobart put it—a righteous crusade.”

“Godhood called, and he went, fleet-footed, to worship at his own altar.”

“She told him she made a rule of never marrying bankers. The next day he sent flowers, and a note saying that he’d relinquished his profession.”