#writing

"Note what Witzel is writing shortly before reading TALAGERI 2000:....But immediately after reading the analysis of the Rigveda in TALAGERI 2000, there is a magical transformation in Witzel‘s attitude:...The fact is that writing in historical subjects has become a front for pursuing political agendas or personal ego-trips. Before the year 2000, also, Witzel was an AIT writer; but this was not his main battlefront. It had genuinely never occurred to him, any more than it could have occurred to any other AIT writer, that there could be a serious and fundamental threat to the AIT model on which the analysis of the ancient history of South Asia, and of the Vedic texts, had so far been based. Therefore, they could indulge in academic quibbling on other minor points within the AIT framework....But, after the publication of TALAGERI 2000, priorities changed rapidly: it became necessary to close AIT ranks in a holy crusade against the new case and the new evidence for the OIT. The identity of the Harappan language could wait ― or could be pursued separately in different articles; after all, Witzel has a limitless capacity for writing mutually contradictory things, sometimes on the very same page, without causing the slightest dent in the faith and loyalty of his admirers ― what was important now was to rapidly drag the Vedic Aryans of the early period all the way back from the area of the Gangā to the safety of Afghanistan. Hence, all the post-2000 assertions and conclusions about the Gangā! Clearly, such writing can not be called scholarly writing under any circumstance, and one must be very, very careful indeed before placing the slightest credence in the views, interpretations and conclusions of such writers, howsoever high a position they may hold in the academic world."

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“But the same argument cannot hold for a post-Rigvedic movement from the northwest into the rest of India: it is clear that a full-fledged literary tradition had certainly started with the Rigveda at least; and any post-Rigvedic movements should be reflected in the later texts.”

“The latest paper on the genetic/genomic evidence which has enthused AIT supporters and activists seems to echo and substantiate with military precision the exact points enunciated by the AIT scholars and activists since two centuries, especially on the chronological angle. ... What is worse is that, even as they ignore the latest linguistic, archaeological and textual/inscriptional data and evidence, their whole proof is based on the claim that the "genomic" dates derived by them actually "fit in" with the dates derived by linguists for the alleged "Aryan" migrations from the Steppes ! This is like a group of committed Church "scientists" in the 1600s periodically announcing new "scientific" discoveries which fitted in with the Church-held geocentric view of the world, while refusing to consider or debate the contemporary works of Galileo Galilei which proved the heliocentric case. .”

“Pargiter’s examination of traditional history produces a picture which tallies perfectly with our theory. He describes the expansion of the Aryans from the region around Allahabad into the northwest and beyond in great detail.”

“It is difficult to believe that Witzel is serious in his incredible assertions ... And when other verses do refer to a river of that name, this river may be “anywhere” from Arachosia to the “night time sky”: anything but the Haryana river – the sky is the limit! In his 1995 papers, he locates the Sarasvati in hymn 6.61 squarely in Kurukshetra in his “Geographical Data” as well as in his descriptions of Mandala 6: “W/NW, Panjab, Sarasvati, Ganga” . And nowhere in those papers does he suggest anything contrary!”

“The identification of the BhRgus with Soma is deeper, older and more significant: it is clear that the Soma plant originated among the BhRgus of the northwest, and it is they who introduced the plant and its rituals to the Vedic Aryans and their priests.”

“To begin with...: “a) Each Mandala . contains hymns ascribed to the descendants of earlier mandalas , or the ancestors of later mandalas . b) Each Mandala contains references to composers from earlier or contemporaneous mandalas ” And “in not one of these respects do we find the allegedly ‘concocted’ Anukramani ascriptions …. differing from the allegedly ‘original’ ascriptions”.”