"The hero must be male, regardless of the gender of the text-image, because the obstacle, whatever its personification, is morphologically female....The hero, the mythical subject, is constructed as human being and as male; he is the active principle of culture, the establisher of distinction, the creator of differences. Female is what is not susceptible to transformation, to life or death; she is an element of plot-space, a topos, a resistance, matrix and matter."
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"Contrast = dissonance, and hence a maximum expressive effect. I will take as an example a commonplace subject: the visual effect of curled and round puffs of smoke rising between houses. You want to c…"
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