"At an exhibition in London, one sagacious critic wrote: 'Monsieur Degas seems a good pupil of Nittis!' Doesn't this reflect that mania which men of letters have for squabbling in court over who had a given idea first? And the mania spreads to painters who take great care of their originality."

“In my figures I have achieved a great simplicity, which is both rustic and superstitious... ..In this picture the landscape and the struggle exist only in the imagination of the people whom the sermon has moved to prayer. That's why there is a contrast between the people, depicted naturally, and the struggle in its unnatural and dis-proportioned landscape.”

“I am leaving in order to have peace and quiet, to be rid of the influence of civilization. I want only to do simple, very simple art, and to be able to do that, I have to immerse myself in virgin nature, see no one but savages, live their life, with no other thought in mind but to render, the way a child would, the concepts formed in my brain and to do this with the aid of nothing but the primitive means of art, the only means that are good and true.”

“You have long known what I have tried to establish: the right to dare everything; yet the difficulty I have had finding enough money to live on has been too great, and my capacities have not produced a very big result but the mechanism has got underway nevertheless. The public does not owe me anything because the pictorial work I have done is only relatively good, but the painters who benefit from that freedom today do owe me something.”

“Many people say that I don't know how to draw because I don't draw particular forms. When will they understand that execution, drawing and color must be in harmony with the poem?”

“In Europe men and women have intercourse because they love each other. In the South Seas they love each other because they have had intercourse. Who is right?”

“..color being enigmatic in itself.. ..then to be logical we cannot use it any other way than enigmatically..”