"I have that confidence in the common sense, I will say the common spirit of our countrymen, that I believe they will not long endure this huckstering tyranny of the Treasury Bench—these political pedlars that bought their party in the cheapest market, and sold us in the dearest. I know, Sir, that there are many who believe that the time is gone by when one can appeal to those high and honest impulses that were once the mainstay and the main element of the English character. I know, Sir, that we appeal to a people debauched by public gambling—stimulated and encouraged by an inefficient and shortsighted Minister. I know that the public mind is polluted with economic fancies; a depraved desire that the rich may become richer without the interference of industry and toil. I know, Sir, that all confidence in public men is lost. But, Sir, I have faith in the primitive and enduring elements of the English character. It may be vain now, in the midnight of their intoxication, to tell them that there will be an awakening of bitterness; it may be idle now, in the spring-tide of their economic frenzy, to warn them that there may be an ebb of trouble. But the dark and inevitable hour will arrive. Then, when their spirit is softened by misfortune, they will recur to those principles that made England great, and which, in our belief, can alone keep England great. Then, too, perchance they may remember, not with unkindness, those who, betrayed and deserted, were neither ashamed nor afraid to struggle for the "good old cause"—the cause with which are associated principles the most popular, sentiments the most entirely national—the cause of labour—the cause of the people—the cause of England."

“Venice by moonlight is an enchanted city; the floods of silver light upon the moresco architecture, the perfect absence of all harsh sounds of carts and carriages, the never-ceasing music on the waters, produced an effect on the mind which cannot be experienced, I am sure, in any other city in the world.”

“Verona is full of pictures which have never been painted. Every step excites emotion and gives rise to unaffected reflection. In the course of a short stroll, you may pass by a Roman amphitheatre, still used, then the castle of some petty prince of the Middle Ages, and while you are contrasting the sublime elevation of antiquity with the heterogeneous palace of a Scaliger your eyes light on a gate of Oriental appearance and fantastic ornament... The illusion is perfect, the eye rests with pain on the passing citizens in their modern costumes; you look for black velvets and gold chains, white feathers and red stockings.”

“[I]n speaking of Italy, romance has omitted for once to exaggerate.”

“Head of Christ by Morales, exactly as in the description in the pseudo letter of the Roman Proconsul. Morales well entitled to his surname of Divino... [T]he auburn locks seem only prevented from growing over the countenance by the moiety of the star which forms the glory: everything which can even be conceived as necessary to the formation of a face of perfect beauty, but nothing earthly in the appearance. You could not mistake the head for an Apollo or an Adonis. The eyes, beaming with human beauty, are nevertheless bright with the effulgence of celestial light, and fixed upon no particular object. They seem looking on the world. The nose is exquisitely formed, and the flesh tints seem immortal.”

“Sybil, or The Two Nations (1845).”

“Patience is a necessary ingredient of genius.”