"selection paintings and drawings on Wikiart"

“We are told that Shakespeare's plays were generally performed in barns and that no great trouble was taken over the production. The constant changes of scene which, incidentally, seem the sign of a decadent art rather than one which is progressing, were shown by placards with the inscription: "A Forest," "A Prison," and so on. Within this conventional setting the onlooker's imagination was free to follow the actions of the various characters who were animated by passions drawn from nature, and that was enough for him. So-called innovations are gratefully seized on as an excuse for poverty of invention and in the same way, the long descriptive passages that so overburden modern novels are a sign of sterility, for it is obviously easier to describe a dress or the outward appearance of an object than to trace the subtle development of a character or portray the emotions of the heart.”

“I am thinking of painting for the coming Salon a picture whose subject I shall take from the recent wars between the Turks and the Greeks. I think that.. .. this would be a way to attract some attention. I should therefore like you to send me some drawings of the country round Naples, a few quick sketches of seascapes or picturesque mountain sites... Why not also send a few of the studies you have in your portfolio? You don’t need them while you are out there, and it would oblige you to make some more of them.”

“Proportion applies to sculpture as to painting; perspective determines the contour; chiaroscuro gives relief through the disposition of lights and shadows in their relationship with the background; color gives the appearance of life.. .The colorists, the men who unite all the phases of painting, have to establish, at once and from the beginning, everything that is proper and essential to their art. They have to mass things in with color, even as the sculptor does with clay, marble or stone; their sketch, like that of the sculptor, must also render proportion, perspective effect, and color.”

“In the midst of the activities that distract me , when I remember a few lines of poetry, when I recall some sublime painting, my spirit is roused to indignation and spurns the vain sustenance of the common herd. And in the same way, when I think of those I love, my soul clings eagerly to the elusive trace of these cherished ideas. Yes, I am sure of it, great friendship is like great genius, and the remembrance of a great and enduring friendship is like that of great works of genius... What a life would be that of two great poets who loved each other as we do! That would be too great for human kind.”

“..The movement and the rustle of the branches delights me. The clouds float past and I lift my head to follow their flight, or think about some madrigal, when a slight sound, which has been going on for a little while, rouses me slowly from my dream.; at least I turn my head and see, to my grief, a little white scut just disappearing into the thicket...”

“The more I think about colour, the more convinced I become that this reflected half-tint is the principle that must predominate, because it is this that gives the true tone, the tone that constitutes the value, the thing that matters in giving life and character to the object. Light, to which the schools teach us to attach equal importance and which they place on the canvas at the same time as the half-tint and shadow, is really only an accident. Without grasping this principle, one cannot understand true colour, I mean the colour that gives the feeling of thickness and depth and of that essential difference that distinguishes one object from another.”