"The German Romantics had to destroy the same bastions we do. Logocentrism and idealism, theology, all supports of the repressive society. Property's pillars. Reason which always homogenizes and reduces, represses and unifies phenomena or actuality into what can be perceived and so controlled. The subjects, us, are now stable and socializable. Reason is always in the service of the political and economic masters. It is here that literature strikes, at this base, where the concepts and actings of order impose themselves. Literature is that which denounces and slashes apart the repressing machine at the level of the signified."

“It's all up to you, girls. You have to be strong. These are the days of post-women's liberation. You have grown up by now and you have to take care of yourself. No one's going to help you.”

“At a certain point I realized that the "I" doesn't exist. So I said to myself: If the "I" doesn't exist, I have to construct one, or maybe even more than one.”

“Women need to become literary "criminals", break the literary laws and reinvent their own, because the established laws prevent women from presenting the reality of their lives.”

“Heart disease syphilis pregnancy”

“I had been confused why I had gotten cancer. Three weeks later, I saw the network of causation so clearly I wondered why I wasn't more disease-riddled. My healer reminded me that if health is based on forgiveness, then I had to forgive ...”

“I'm starting to worry about self-censorship — that I might be internalizing some shit. I might be writing what people expect me to write, writing from that place where I might be ruled by economic considerations. To overcome that, I started working with my dreams, because I'm not so censored when I use dream material. And I'm working at trying to find a kind of language where I won't be so easily modulated by expectation. I'm looking for what might be called a body language. One thing I do is stick a vibrator up my cunt and start writing — writing from the point of orgasm and losing control of the language and seeing what that's like.”