"Flaubert offered a further tutorial on the proper use of the "objective correlative"—the telling detail that transmits meaning and emotion without labouring the point."

“He seemed decent and kindly enough, but Prentice was cautioned by an old and trusted rule of his schooldays: Beware of the first friendly one; he's probably an outcast himself.”

“there is an automatic pleasure in watching a thing done well.”

“All I'm trying to say is that I'm afraid I got a kind of who-cares feeling out of this. Very strong writing, fine writing; still, the material kept making me think, Yeah, yeah, I get it, but who cares?”

“How small and neat and comically serious the other men looked, with their gray-flecked crew cuts and their button-down collars and their brisk little hurrying feet! There were endless desperate swarms of them, hurrying through the station and the streets, and an hour from now they would all be still. The waiting mid-town office buildings would swallow them up and contain them, so that to stand in one tower looking out across the canyon to another would be to inspect a great silent insectarium displaying hundreds of tiny pink men in white shirts, forever shifting papers and frowning into telephones, acting out their passionate little dumb show under the supreme indifference of the rolling spring clouds.”

“Another thing I have always liked about both Gatsby and Bovary, wrote, "is that there are no villains in either one. The force of evil is felt in these novels but is never personified—neither novel is willing to let us off that easily.”

“You make it sound so easy." But that was one of the wonderful things about Sterling Nelson: he could make any difficult thing sound easy, and the only other man she had ever known who could do that was Willard Slade. All the others, George, for example, had made easy things sound difficult.”