"The official style is at once humble, polite, curt and disagreeable: it derives partly from that used in Byzantine times by the eunuch slave-secretariat, writing stiffly in the name of His Sacred Majesty, whose confidence they enjoyed, to their fellow-slaves outside the palace precincts — for the Emperor had summary power over everyone; and partly from the style used by the cleric-bureaucracy of the Middle Ages, writing stiffly in the name of the feudal lords to their serfs and, though cautious of offending their employers, protected from injury by being servants of the Church, not of the Crown, and so subject to canon, not feudal, law. The official style of civil servants, so far as it recalls its Byzantine derivation, is written by slaves to fellow-slaves of a fictitious tyrant; and, so far as it recalls its mediaeval derivation, is written by members of a quasi-ecclesiastical body, on behalf of quasi-feudal ministers to a serflike public."

“A perfect poem is impossible. Once it had been written, the world would end.”

“My tutor I have already mentioned, Marcus Porcius Cato who was, in his own estimation at least, a living embodiment of that ancient Roman virtue which his ancestors had one after the other shown. He was always boasting of his ancestors, as stupid people do who are aware that they have done nothing themselves to boast about. He boasted particularly of Cato the Censor, who of all characters in Roman history is to me perhaps the most hateful, as having persistently championed the cause of "ancient virtue" and made it identical in the popular mind with churlishness, pedantry and harshness.”

“At the end of my first term's work, I attended the usual college board to give an account of myself. The spokesman coughed, and said a little stiffly: "I understand, Mr. Graves, that the essays which you write for your English tutor are, shall I say, a trifle temperamental. It appears, indeed, that you prefer some authors to others.”

“Shells used to come bursting on my bed at midnight, even though Nancy shared it with me; strangers in daytime would assume the faces of friends who had been killed... I could not use a telephone, I felt sick every time I travelled by train, and to see more than two new people in a single day prevented me from sleeping.”

“Cuinchy bred rats. They came up from the canal, fed on the plentiful corpses, and multiplied exceedingly. While I stayed here with the Welsh, a new officer joined the company... When he turned in that night, he heard a scuffling, shone his torch on the bed, and found two rats on his blanket tussling for the possession of a severed hand.”

“Nancy and I were married in January 1918 at St. James's Church, Piccadilly, she being just eighteen, and I twenty-two. George Mallory acted as the best man. Nancy had read the marriage-service for the first time that morning, and been so disgusted that she all but refused to go through with the wedding, though I had arranged for the ceremony to be modified and reduced to the shortest possible form. Another caricature scene to look back on: myself striding up the red carpet, wearing field-boots, spurs and sword; Nancy meeting me in a blue-check silk wedding-dress, utterly furious; packed benches on either side of the church, full of relatives; aunts using handkerchiefs; the choir boys out of tune; Nancy savagely muttering the responses, myself shouting them in a parade-ground voice.”