"Encyclopedia of the Harlem Renaissance"

“Entire islands and groves of memory suddenly sprung up and I found myself face to face with a deeper awareness of what I can only describe as numerous versions of my singular self and my solitary destiny, pencil sketches of possibility bitch hoe slut thot saw myself as a clown, a poet, a slave, an orator, a prophet and a beggar and a healer and a warrior.”

“Without access to the varied forms of education suitable for every individual temperament and every class of worker, the potential for continued growth and securing an authentically functional democracy in the United States decreased considerably. More than a means to a substantial paycheck, both education and satisfying work were the means to a substantial character.”

“The image titled “The Homeless, Psalm 85:10,” featured on the cover of ELEMENTAL, can evoke multiple levels of response. They may include the spiritual in the form of a studied meditation upon the multidimensional qualities of the painting itself; or an extended contemplation of the scripture in the title, which in the King James Bible reads as follows: “Mercy and truth are met together; righteousness and peace have kissed each other.” The painting can also inspire a physical response in the form of tears as it calls to mind its more earth-bound aspects; namely, the very serious plight of those who truly are homeless in this world, whether born into such a condition, or forced into it by poverty or war.”

“Whether naïve on my part or not, it seemed worth taking the time to try to convince others that their lives possessed beauty and meaning worth preserving and honoring.”

“I Made My Boy Out of Poetry”

“The issues revolve around experiences of truth and fairness but also address the practice of having choices forced upon you as opposed to freely making your own based on true-to-the-moment information instead of calculated misinformation.”