"If anybody's going to be a writer, he's got to be able to say, "This has got to come first, to write has to come first." That is, if you have a job, you have to scant your job a little bit. You can't be an industrious apprentice if you're going to be a poet. You've got to pretend to be an industrious apprentice but really steal time from the boss. Or from your wife, or somebody, you see. The time's got to come from somewhere. And also this passivity, this "waitingness," has to be achieved some way. It can't be treated as a job. It's got to be treated as a non-job or an anti-job."

“The urge to write poetry is like having an itch. When the itch becomes annoying enough, you scratch it.”

“Robert Penn Warren Center for the Humanities at Vanderbilt University”

“If, in the middle of World War II, a general could be writing a poem, then maybe I was not so irrelevant after all. Maybe the general was doing more for victory by writing a poem than he would be by commanding an army. At least, he might be doing less harm. By applying the same logic to my own condition, I decided that I might be relevant in what I called a negative way. I have clung to this concept ever since — negative relevance. In moments of vain-glory I even entertain the possibility that if my concept were more widely accepted, the world might be a better place to live in. There are a lot of people who would make better citizens if they were content to be just negatively relevant.”

“The end of man is knowledge but there's one thing he can't know. He can't know whether knowledge will save him or kill him. He will be killed, all right, but he can't know whether he is killed because of the knowledge which he has got or because of the knowledge which he hasn't got and which if he had it would save him.”

“RobertPennWarren.com”

“Most writers are trying to find what they think or feel. . . not simply working from the given, but toward the given, saying the unsayable and steadily asking, "What do I really feel about this?”