"We contrast the urban and the natural, but that’s a contemporary myth. We’re animals, after all; our cities are organic products, fully as “natural” as a termite hill or a rabbit warren. But how much more interesting: how much more complex, dressed in the intricacies and exfoliations of human culture, simple patterns iterated into infinite variation. And full of secrets, secrets beyond counting."

“The awful thing about lying was that it became a habit, then a reflex, as automatic as the blinking of the eyes or the voiding of the bowels. Lying was the Terrestrial disease, his mother used to say.”

“She gave me a disdainful look. “Please don’t make facile judgments about things you don’t understand.”

“I loved Molly. Or at least I told myself I did. Or, if what I felt for her was not love, it was at least a plausible imitation, a convincing substitute.”

“You have a knack for turning your eyes inside out, so you see them. And they see you. And you're afraid, because they’re from the uncreated future, from a place, I think, where the human race has reached its last incarnation, from the end of the material world. Perhaps the end of all worlds. And they’re sad—melancholy is the better word—because you're like an angel to them, the angel of the past, the angel of infinite possibility. Possibility lost. The road not taken.”

“Along with a dozen other students I had dissected a human cadaver and sorted its contents by size, color, function, and weight. There was nothing pleasant about the experience. Its only consolation was its truth and its only virtue was its utility.”

“You never stop being a parent, Adam, no matter how old or wise your child becomes—you'll see.”