"A wonderful range of writing is offered in these and other forms. Stylistically, there are unspoken limits. The delphic or serpentine are not part of the repertoire. No fear could be more foreign to the journal than of ‘the mischief of premature clarification’, against which Fredric Jameson – whose arrival in its pages is a welcome departure from consistency – once warned. The too vehement is likewise at some discount, suspect of ‘rant’. Perhaps the best way of conveying the overall climate would be to say that the paper resists any trace of l’esprit du sérieux, in the Sartrean sense: that is, of the portentous, high-minded, hypocritical. Against all these, its playfulness finds expression on the largest as well as smallest of topics. Emblematic in this collection are the saturnine tones of Edward Luttwak, as a ‘heavy-weight’ contributor. 12 It is enough to think of the contributions of President Havel to the New York Review to understand their antithesis."

“Values – ethical, epistemological, aesthetic – figure in the contests over the field, but they do not define it. Intellectuals are judged not by their morals, but by the quality of their ideas, which are rarely reducible to simple verdicts of truth or falsity, if only because banalities are by definition accurate.”

“Beyond the discrepant local sympathies of these careers – with their splay of temporary identities: Conservative, Zionist, Nazi, Old Whig – they reflected a common theoretical calling. In Schmitt’s own writing, the obscure figure assumes various – typically oblique – historical guises, as political or juridical restrainer in different epochs. But the Stygian cap fits the collective effort of this cluster of thinkers. For these were indeed constructions designed to hold something back. What they all in the end sought to restrain was the risks of democracy – seen and feared through the prisms of their theories of law, as the abyss of its absence: to misterion tes anomias, the mystery of lawlessness.”

“The Violencia that ravaged Colombia for the next decade, pitting Liberals against the ruling Conservatives, took 200,000 lives – a catastrophe worse than any endured in Peru. This was the historical background to Márquez’s early career as a journalist and writer. But he seems to have remained eerily untouched by it.”

“The – now shop-worn – label of ‘magical realism’ is customarily applied to Márquez’s novels. It has never fitted Vargas Llosa, who disavows the adjective.”

“Historically, even in the greatest minds of the Enlightenment, they could be at variance. Rousseau, the most advanced political thinker of his generation, was emotionally a pietist; Voltaire, politically at ease with a benevolent absolutism, scorned the consolations of Savoyard Christianity. For Timpanaro, Leopardi had represented the possibility of a synthesis beyond either: firm republicanism, unswerving atheism.”

“All hegemonies have their limits, and no policies ever achieve just what they intend. But the salient feature of the present is not that the world at large is out of control, but that it has never been subject to such an extent of control by one power, acting to diffuse and enforce one system, as we see today.”