"Kane gazed, awed. This was truly a hell on earth. As in a nightmare he looked into the roaring red cauldron where black insects fought against their doom and perished. The flames leaped a hundred feet in the air, and suddenly above their roar sounded one bestial, inhuman scream like a shriek from across nameless gulfs of cosmic space, as one vampire, dying, broke the chains of silence which had held him for untold centuries. High and haunting it rose, the death cry of a vanishing race."

“Crom!" his mighty shoulders twitched. "A murrain of these wizardly feuds! Pelias has dealt well with me, but I care not if I see him no more. Give me a clean sword and a clean foe to flesh it in. Damnation! What would I not give for a flagon of wine!”

“Money and muscle, that’s what I want; to be able to do any damned thing I want and get away with it. Money won’t do that altogether, because if a man is a weakling, all the money in the world won’t enable him to soak an enemy himself; on the other hand, unless he has money he may not be able to get away with it.”

“If I was wealthy I'd never do anything but poke around in ruined cities all over the world - and probably get snake-bit.”

“He shrugged his shoulders. "I have known many gods. He who denies them is as blind as he who trusts them too deeply. I seek not beyond death. It may be the blackness averred by the Nemedian skeptics, or Crom's realm of ice and cloud, or the snowy plains and vaulted halls of the Nordheimer's Valhalla. I know not, nor do I care. Let me live deep while I live; let me know the rich juices of red meat and stinging wine on my palate, the hot embrace of white arms, the mad exultation of battle when the blue blades flame and crimson, and I am content. Let teachers and priests and philosophers brood over questions of reality and illusion. I know this: if life is illusion, then I am no less an illusion, and being thus, the illusion is real to me. I live, I burn with life, I love, I slay, and am content.”

“Not for naught had he gained access into darksome cults, had harkened to the grisly whispers of the votaries of Skelos under midnight trees, and read the forbidden iron-bound books of Vathelos the Blind.”

“Howard takes great care to develop mood and atmosphere in his best stories, and in so doing makes the reader feel the dark, desperate undercurrent of his character's schemes and struggles. It is in this that I feel closest to Howard, and it is something that his conscious imitators have never captured. The disparity of writing styles aside, the mood immediately sets pastiche-Howard apart from the real article. Pseudo-Conan is out having just the best time, 'cause he's the biggest, toughest, mightiest-thewed barbarian on the block, and he's gonna have a swell time of brawling and chopping monsters and rescuing princesses and offing wizards and drinking and brawling and … and... etc... etc.... But in Howard's fiction the underlying black mood of pessimism is always there, and even Conan, who enjoys a binge or a good fight, is not having a good time of it at all. This is particularly true of Solomon Kane and King Kull-driven men whom not even a desperate battle can exorcise their black mood, while Conan at times can find brief surcease in excesses of pleasure or violence. I think Solomon Kane and King Kull were closer to Howard's true mood, while Conan represented the ability to escape briefly from black reality that Howard wished he could emulate. He failed. Of all Howard's characters I most prefer King Kull, and it is Kull who is closest to my own Kane..." ~ Karl Edward Wagner, Midnight Sun, "The Once and Future Kane", 2007,”