"…When I read comics, I’m helping people to appreciate the power of pictures with words, and of words with pictures. Reading a comic, or a graphic novel, is different from reading a novel or describing a picture book. I care about pace, setting, tension, and the lives of my characters. I need to let my drawings speak for themselves while also narrating a story that benefits from this interplay of picture and verse…"

“…I’m curious about how my memories — and other people’s memories, too — are tied to the senses, particularly touch. Memories triggered by engagement with one or more of the five senses can conjure up transformative moments in a person’s life. Unexpected sounds, scents, tastes, sights, and tactile experiences can move people outside the present moment and into a more playful space where past, present, and future come together…”

“My process for making comics for research is very different from fiction and creative nonfiction comics. I studied how groups of young children and graduate students drew together, used drawing to play and pretend together, and drew as a means of creating new knowledge…”

“…I consider these fantasy and futuristic visions as absurd as me acquiescing to someone else’s ideas about what counts as acceptable, attractive and beautiful. These parody ads are my attempt to envision a different future, in which black women inquire and inspire while loving their hair.”