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"Film music is always and only accompaniment. Whether it’s loud or occasionally important in itself, it’s what it is because of where it is — how it’s placed in the film. In a film score, the composer literally measures every note, because it has to be synchronized with the picture. The film strictly determines every element of a film score. The only reason music exists in film is to help tell a story. No one hires a composer for a film to write pretty flute lines. I generally don’t get concerned about this, but I’ll admit to getting irritated or disappointed at times on how the music is used after I’ve composed it. In the United States, all film composers work under a condition called ‘Work for Hire’. Aesthetically, it can be soul-sucking."
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