#work

"I say, then, assuming, as I have given you reason to assume, that the price of wheat, when this system is established, ranges in England at 35s. per quarter, and other grain in proportion, this is not a question of rent, but it is a question of displacing the labour of England that produces corn, in order, on an extensive and even universal scale, to permit the entrance into this country of foreign corn produced by foreign labour. Will that displaced labour find new employment? ... But what are the resources of this kind of industry to employ and support the people, supposing the great depression in agricultural produce occur which is feared—that this great revolution, as it has appropriately been called, takes place—that we cease to be an agricultural people—what are the resources that would furnish employment to two-thirds of the subverted agricultural population—in fact, from 3,500,000 to 4,000,000 of people? Assume that the workshop of the world principle is carried into effect—assume that the attempt is made to maintain your system, both financial and domestic, on the resources of the cotton trade—assume that, in spite of hostile tariffs, that already gigantic industry is doubled...you would only find increased employment for 300,000 of your population...What must be the consequence? I think we have pretty good grounds for anticipating social misery and political disaster."

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“Venice by moonlight is an enchanted city; the floods of silver light upon the moresco architecture, the perfect absence of all harsh sounds of carts and carriages, the never-ceasing music on the waters, produced an effect on the mind which cannot be experienced, I am sure, in any other city in the world.”

“Verona is full of pictures which have never been painted. Every step excites emotion and gives rise to unaffected reflection. In the course of a short stroll, you may pass by a Roman amphitheatre, still used, then the castle of some petty prince of the Middle Ages, and while you are contrasting the sublime elevation of antiquity with the heterogeneous palace of a Scaliger your eyes light on a gate of Oriental appearance and fantastic ornament... The illusion is perfect, the eye rests with pain on the passing citizens in their modern costumes; you look for black velvets and gold chains, white feathers and red stockings.”

“[I]n speaking of Italy, romance has omitted for once to exaggerate.”

“Head of Christ by Morales, exactly as in the description in the pseudo letter of the Roman Proconsul. Morales well entitled to his surname of Divino... [T]he auburn locks seem only prevented from growing over the countenance by the moiety of the star which forms the glory: everything which can even be conceived as necessary to the formation of a face of perfect beauty, but nothing earthly in the appearance. You could not mistake the head for an Apollo or an Adonis. The eyes, beaming with human beauty, are nevertheless bright with the effulgence of celestial light, and fixed upon no particular object. They seem looking on the world. The nose is exquisitely formed, and the flesh tints seem immortal.”

“Sybil, or The Two Nations (1845).”

“Patience is a necessary ingredient of genius.”