"My faith was nurtured by the nuns’ witness to Jesus and their authenticity. Boarding school life was, besides being a lot of fun, an oblique way of observing the religious life of a nun. Each morning we attended 7am Mass with the sisters, and shared evening prayer, which always included a hearty singing of a hymn with them in the chapel. I don’t know how many hundreds of hymns I would’ve sung at school! I came in time to think about the words of these hymns, particularly where children and young people are concerned. This set me up to be a careful composer of words as well as melodies for hymns. I remember, too, the spiritual formation we received through processions. One such was the feast of Corpus Christi where the local parishes joined us annually in the grounds of Loreto Normanhurst to process in honour of the Blessed Sacrament. It was a ritual that informed my interest in liturgical ceremony."

“It’s very simple. It speaks to people, because it’s about God’s love for each of us—I have loved you with an everlasting love, I will never forsake you, there is no need to fear. It comes directly out of my going to confession to a priest, and he said, ‘I don’t think God is worrying about half of that. Come as you are.’ People use the song everywhere, including in prisons. It’s extraordinary the amount of correspondence I’ve received over the years. People don’t think I’ve done anything else!”

“In 2005 I accepted the invitation to be the writer of our revised modern Constitution Volume 11 for the Loreto sisters worldwide. With such a ministry, there was not much time for music, but I found composing poetic prose a music of its own kind. The style of the document was challenging in that it was to be of spiritual inspiration as well as legally accurate. There is an important line in that document: ‘Mission is at the heart of who we are, and love is the driving force that urges us on.’ So, to answer your question, I think it’s love. The love of education, of seeing people—young and old—grow. My life has been not one of being tucked away in a convent, but very much associated with people beyond. And what brings it together is my faith, and my music.”

“A key formative period in my musical life in the Church of Melbourne came in 1988 with the invitation to join the Office for Worship team. This place was truly a centre of vitality, learning, collaboration and pastoral leadership, headed at the time by this incredibly erudite liturgist, professor, spiritual director and pastoral human being, Fr Frank O’Loughlin. He provided leadership through first-class theological input into parishes and assisting with resources to meet their pastoral needs. Margaret Smith SGS, liturgist extraordinaire, partnered me in visiting local parishes, providing workshops on the revised rites of the church and the liturgical seasons.”

“On my return to Australia in 1985, a 12-year period of teaching in two institutions commenced—Mercy Teachers’ College (later Australian Catholic University) and Yarra Theological Union. In both, I wrote my own courses ranging across philosophy of music, 20th-century history, liturgy and music, with a particular interest in Australian music, spirituality and culture. I was particularly fortunate to work alongside the founder of the only Bachelor of Church Music course available in Australia at the time, the internationally acclaimed Melbourne musician Roger Heagney.”

“By 1974, I was missioned to Loreto College, Brisbane, in leadership and administration. During this time, I learnt and experienced the richness of parish community and liturgical prayer. I travelled to London to take up postgraduate studies in music at the Institute of Education London University, which opened me to a wider experience in both the academic and performance fields. I specialised in choral and orchestral conducting in summer programs, attended festivals, and set up field trips to places of excellence in liturgy and music in England, France, Italy and Spain—all to widen my knowledge and cultural experience. In 1983–84, I undertook a Masters in Liturgical Studies in Washington DC with a special interest in music. This program set me up to find how ritual and music can complement one another in a profound way, as well as giving me the history and foundations of liturgical and sacramental theology. It was truly enriching.”

“I wasn’t quite 18 years old when I joined the Novitiate in Ballarat. In 1957, my first mission was teaching in a kindergarten in Brisbane. I taught nearly everything through the piano, including numbers and religion—the children loved it! After eight years in the Order teaching primary and lower secondary students in a range of subjects, I entered the Bachelor of Music course at the University of Melbourne, transferring from performance to a specialisation in music education, including a year of a Diploma of Education. My time in Melbourne was extremely rich and formative. The illustrious priest musician Dr Percy Jones was one of my lecturers, a highly prominent international figure in church music. He invited me later to turn my hand to writing music in a folk style, and that’s how some of my music came to be published. My time at the Melbourne Conservatorium prepared me well for a return to Loreto Normanhurst Sydney in 1964 to become Director of Music, which lasted 10 years.”