"Debussy was behind me when we played L'après-midi d'un faune because he did not want anything in his score to be changed on account of the dancing. And when we came to a forte, he said 'Monteux, that is a forte, play forte'. He did not want anything shimmering. And he wanted everything exactly in time."

“I never conduct any of the ballets I conducted for the Ballets Russes, without my mind's eye being completely aware of the dancers.”

“I always dreamed in my youth of a great, consuming love. I was often disappointed and returned each time to my music for consolation. It never failed me.”

“How I regret not having told César Franck of my profound admiration for him and his music. After playing he Sonata for violin for the first time, I nearly wept over certain phrases. The beauty of it overwhelmed me.”

“I decided then and there that the symphonies of Beethoven and Brahms were the only music for me, not the music of this crazy Russian. … My one desire was to flee that room and find a quiet corner in which to rest my aching head. Then Diaghilev turned to me and with a smile said, "This is a masterpiece, Monteux, which will completely revolutionize music and make you famous, because you are going to conduct it." And, of course, I did.”

“I regret they don't have symphony orchestras all over the world so I could see Burma and Samarkand.”

“In earlier days I used to like introducing new music in concerts but now I feel that I have done my duty to young composers… so I return to my first love Romantic music – and especially to Brahms who has always been my favourite.”