"We must not confuse the present with the past. With regard to the past, no further action is possible. There have been war, plague, scandal, and treason, and there is no way of our preventing their having taken place; the executioner became an executioner and the victim underwent his fate as a victim without us; all that we can do is to reveal it, to integrate it into the human heritage, to raise it to the dignity of the aesthetic existence which bears within itself its finality; but first this history had to occur: it occurred as scandal, revolt, crime, or sacrifice, and we were able to try to save it only because it first offered us a form. Today must also exist before being confirmed in its existence: its destination in such a way that everything about it already seemed justified and that there was no more of it to reject, then there would also be nothing to say about it, for no form would take shape in it; it is revealed only through rejection, desire, hate and love. In order for the artist to have a world to express he must first be situated in this world, oppressed or oppressing, resigned or rebellious, a man among men. But at the heart of his existence he finds the exigency which is common to all men; he must first will freedom within himself and universally; he must try to conquer it: in the light of this project situations are graded and reasons for acting are made manifest."

“She was beautiful, with a beauty so severe and so solitary that at first it was startling. "Ah! If only there were two of me," she thought, "one doing the talking and one listening, one living and one watching, how I would love myself. I'd envy no one."”

“Insects were scurrying about in the shade cast by the grass, and the lawn was a huge monotonous forest of thousands of little green blades, all equal, all alike, hiding the world from each other. Anguished, she thought, "I don't want to be just another blade of grass."”

“[T]he Sahara was a spectacle as alive as the sea. The tints of the dunes changed according to the time of day and the angle of the light: golden as apricots from far off, when we drove close to them they turned to freshly made butter; behind us they grew pink; from sand to rock, the materials of which the desert was made varied as much as its tints.”

“But presently I began to bubble with happiness. No, my daughters' absence did not sadden me at all—quite the reverse. I could drive as fast or as slowly as I liked, go where I liked, stop when the whim took me. I made up my mind to spend the week wandering about. I get up as soon as it is light. The car is waiting for me in the street or in the courtyard like a faithful animal; it is wet with dew; I wipe its eyes, and full of delight I tear away through the growing sunlight.”

“What is an adult? A child puffed with age.”

“Il n'y a pas de mort naturelle: rien de ce qui arrive à l'homme n'est jamais naturel puisque sa présence met le monde en question. Tous les hommes sont mortels: mais pour chaque homme sa mort est un accident et, même s'il la connaît et y consent, une violence indue.”