"Hardness and softness, roughness and smoothness, moonlight and sunlight present themselves in our recollection not preeminently as sensory contents but as certain kinds of symbioses, certain ways outside has of invading us and certain ways we have of meets this invasion..."

“Lichtenberg … held something of the following kind: one should neither affirm the existence of God nor deny it. … It is not that he wished to leave certain perspectives open, nor to please everyone. It is rather that he was identifying himself, for his part, with a consciousness of self, of the world, and of others that was “strange” (the word is his) in a sense which is equally well destroyed by the rival explanations.”

“De Lubac discusses an atheism which means to suppress this searching, he says, “even including the problem as to what is responsible for the birth of God in human consciousness.””

“Thought without language, says Lavelle, would not be a purer thought; it would be no more than the intention to think. And his last book offers a theory of expressiveness which makes of expression not “a faithful image of an already realized interior being, but the very means by which it is realized.””

“It is a great good fortune, as Stendhal said, for one “to have his passion as a profession.””

“The function [of objective thinking] is to reduce all phenomena which bear witness to the union of subject and world, putting in their place the clear idea of the object as in itself and of the subject as pure consciousness. It therefore severs the links which unite the thing and the embodied subject, leaving only sensible qualities to make up our world (to the exclusion of the modes of appearance which we have described), and preferably visual qualities, because these give the impression of being autonomous, and because they are less directly linked to our body and present us with an object rather than introducing us into an atmosphere. But in reality all things are concretions of a setting, and any explicit perception of a thing survives in virtue of a previous communication with a certain atmosphere.”

“[The sensate body possesses] an art of interrogating the sensible according to its own wishes, an inspired exegesis”