"I grew up as a TV baby, with my TV babysitter, up until I was about 10. Then my mother just ripped the thing out of the wall and put it in a closet, and we didn't watch it. I have that sort of ability to become addicted to it. And I'm just so fascinated by it once I turn it on, I'm not even that aware what's there. I'm just watching it. So I don't ever turn it on. I get my news from the newspaper. I don't want to watch the Hollywood news product on TV... There's no other piece of furniture in my home I'd stare at for three hours at a time, so I try not to do it to the TV."

“After spending nearly 20 years contracted to a major label, I have mixed feelings about their demise. These companies have profited immensely from your insatiable desire for listening and helped musicians for several decades to reach you. They grew fat and excessive. They exploited and they monopolized. They edited and censured. They’ve been rapidly losing their means of production, distribution and promotion to the internet. They have been economizing by dropping artists, cutting staff and folding into one another but they can’t keep up with the pace of disintegration. You might not have ever heard my name if Elektra Records hadn’t made me one of their artists for hire. I’m both grateful and resentful and you probably are too.”

“There is one tradition in America I am proud to inherit. It is our first freedom and the truest expression of our Americanism: the ability to dissent without fear. It is our right to utter the words, "I disagree." We must feel at liberty to speak those words to our neighbors, our clergy, our educators, our news media, our lawmakers and, above all, to the one among us we elect President.”

“I saw my first Henry Darger collage/paintings in the early 1980’s when the tale of Henry’s life was just emerging through rumor and scattered fragments of his book. He lived and died a recluse in Chicago where no one knew of his writings or paintings. There was a folk art gallery in New Orleans that had acquired a small pile of Realms of the Unreal illustrations. I was on tour with REM at the time, Michael Stipe and I visited the gallery where we had a first look at these images of seven little horrified girls pursued by a purple and orange winged cats or evil professors on horseback or resting peacefully under giant sunflowers. I was completely captivated and intrigued.”

“My drug period was between the age of 17 and 18. That was a time when I was experimenting with a lot of things, I was experimenting with sleep deprivation, fasting. The longest fast I ever did was 12 days. You go that long without food and you hallucinate. I would take this powder made out of guarana seed, my friend Mary would bake it up like cocoa in muffins and leave them on my doorstep. My drinking period was when I was 13, 14. Drugs fascinated me for a short period of time but not any more. A glass of wine puts me in a weird enough state.”

“For the time being I am enjoying my chance to enjoy civilian life off the road. If I combined all the months that I have lived out of a van or tour bus it would amount to twelve solid years. That would be twelve years of driving or flying an average of 100 to 400 miles per day and sleeping in a different city every night. It was a very unique lifestyle that I adapted to and even enjoyed with it’s surreal pace. It’s also a lifestyle that can take a toll on the body and relationships with the people that you are constantly leaving behind.”

“these are days you'll remember”