"It's frightfully important for a writer to be his age, not to be younger or older than he is. One might ask, "What should I write at the age of sixty-four," but never, "What should I write in 1940."

“The condition of mankind is, and always has been, so miserable and depraved that, if anyone were to say to the poet: "For God's sake stop singing and do something useful like putting on the kettle or fetching bandages," what just reason could he give for refusing? But nobody says this. The self-appointed unqualified nurse says: "You are to sing the patient a song which will make him believe that I, and I alone, can cure him. If you can't or won't, I shall confiscate your passport and send you to the mines." And the poor patient in his delirium cries: "Please sing me a song which will give me sweet dreams instead of nightmares. If you succeed, I will give you a penthouse in New York or a ranch in Arizona.”

“In all technologically "advanced" countries, fashion has replaced tradition, so that involuntary membership in a society can no longer provide a feeling of community.”

“The poet who writes "free" verse is like Robinson Crusoe on his desert island: he must do all his cooking, laundry and darning for himself. In a few exceptional cases, this manly independence produces something original and impressive, but more often the result is squalor — dirty sheets on the unmade bed and empty bottles on the unswept floor.”

“All wishes, whatever their apparent content, have the same and unvarying meaning: "I refuse to be what I am.”

“One can only blaspheme if one believes.”

“It is, for example, axiomatic that we should all think of ourselves as being more sensitive than other people because, when we are insensitive in our dealings with others, we cannot be aware of it at the time: conscious insensitivity is a self-contradiction.”