"..for throwing in three curses and a sigh - forgive me that corny expression - impressions and transient effects on the canvas. Observe especially the hue of every occurring moment."

“Well, go upstairs, you know the way; are you going to take a look? At the moment you will not find many special things, but you find always something; and then we have another chat, anyway. Go ahead, I'll follow you; beware of entering because there is a large painting just in front of the door.”

“..that one is from my early times; I don't make them that way anymore; look how the thing is painted..; and those days my teachers told me that nothing would come of me in this way. What kind of folks were they? And which guys belonged to them? Well, let's keep mum about that; all those guys are dead already. But those days it was the ruling idea to use nature only as a tool; she had to be embellished later with imagination and so on .... imagination .... the stupidest thing in the world. Improper, I think it is simply an unhealthy trait. You see; imagination is the proper way to insanity. Imagine that you start painting from your imagination without knowing nature; after all, there will be no result whatsoever. All those people of imagination imagine so much, and it is the greatest misfortune you can have in life, you know what it is good for: to idealize your faults.”

“'An early morning may look superficially gray, but it is not.. ..the dew is much more colorful than one would believe, often so strongly that the palette fails.”

“..keep working quietly and have faith in what I tell you, never ask how someone else did it or is doing, try to understand nature, observe everything, try to learn to see and find your easiest way to represent it; one can make different choices from nature, follow what the heart tells you, for which you feel the most.. ..search for what contains effect, something what wants to tell clear things.”

“images of paintings and drawings by Paul Gabriël, in the RijksStudio of the Rijksmuseum, Amsterdam”

“Oh, for that matter you must look carefully how in every region of our country the map looks completely different. Not only the pastures have different shades, but the cows are different, yes even the people have, as it were, adopted the character of the soil they were born and raised. That is so evident, that when I still stayed with Roelofs in Brussels and we used to go to Holland to make our studies in the beautiful part of the season, coming home Roelofs didn't have to tell me where he had been. I recognized it in his work and one by one I called him the spots of our homeland , where he had made sketches of the countryside and its residents during his study trip.”