"A snowball is simple, direct and familiar to most of us. I use this simplicity as a container for feelings and ideas that function on many levels. Occasionally I have come across a last patch of snow on top of a mountain in late May or June. There's something very powerful about finding snow in summer. It's as if the whole of winter has drained through that white hole — a concentration of winter."

“My work comes first, reasons for it follow.”

“One of the beauties of art is that it reflects an artist's entire life. What I've learned over the past 30 years is really beginning to inform what I make. I hope that process continues until I die.”

“I find some of my new works disturbing, just as I find nature as a whole disturbing. The landscape is often perceived as pastoral, pretty, beautiful – something to be enjoyed as a backdrop to your weekend before going back to the nitty-gritty of urban life. But anybody who works the land knows it's not like that. Nature can be harsh – difficult and brutal, as well as beautiful. You couldn't walk five minutes from here without coming across something that is dead or decaying.”

“You must have something new in a landscape as well as something old, something that's dying and something that's being born.”

“Snowballs In Summer at EyeStorm”

“The skepticism of the art establishment seems to be based on, as much as anything, a kind of big-city prejudice against work so free from urban angst. ~ Lynn Macritchie in Art in America”