"I dash out to the banks of the river and find myself amongst the rushes and the reeds. I grind some pigment over all this and the wind makes their slender stalks bend and appliqués them with precision and delicacy on to my canvas, which I thus offer to quivering nature: I obtain a vegetal mark. Then it starts to rain; a fine spring rain: I expose my canvas to the rain.. ..and I have the mark of the rain! – a mark of an atmospheric event."

“detailed biography of Yves Klein”

“This period of blue monochrome was the product of my pursuit of the indefinable in painting which that master, Eugène Delacroix was able to indicate even in his day.”

“It was in 1947 that the idea of a conscious monochrome vision came to me.. .Pure, existential space was regularly winking at me, each time in a more impressive manner, and this sensation of total freedom attracted me so powerfully that I painted some monochrome surfaces just to 'see', to 'see' with my own eyes what existential sensibility granted me; absolute freedom! But each time I could neither imagine or think of the possibility of considering this as a painting, a picture, until the day when I said: Why not?”

“In 1946, when I was still an adolescent, I went and signed my name on the other side of the sky during a fantastic 'realistico-imaginary' voyage.”

“A bill for 20 grams of Pure Gold, for one painted area of sensibilized immaterial.”

“Dubbed as a Knight of the Order of Saint Sebastian, I espoused the cause of pure colour, which has been invaded by guile, occupied and oppressed in cowardly fashion by line and its manifestation; drawing in Art. I aimed to defend and deliver it, and lead it to triumph and final glory.”