"I believe that historical analogies are always wrong. This a long discussion, but, to me, the most dangerous thing about Chamberlain's capitulation to Hitler at Munich is not the fact that Munich happened and it led to further Nazi aggression and so on and so forth, but that the example of Munich has been used to support thousands upon thousands of bad policies and inappropriate decisions. LeMay called JFK's recommendation for a “quarantine” in the Cuban Missile Crisis “worse than Munich”. Would nuclear war have been a better alternative? But nuclear war was averted by Kennedy's policies. And thirty years later the Soviet Union collapsed without the need for nuclear war. Was LeMay right? I don't think so. But again, the example of Munich was invoked to justify the invasion of Iraq. Appeasing Saddam, appeasing Hitler. The use of the Munich analogy does not clarify, it obscures. History is like the weather. Themes do repeat themselves, but never in the same way. And analogies became rhetorical flourishes and sad ex post facto justifications rather than explanations. In the end, they explain nothing."

“I gave someone a perverse argument not so long ago about why advertising is better than movies. You want to hear it? Movies operate from a really disingenuous premise, that people are heroes. I know a lot of people and have had an opportunity over the years to observe them. Are they heroes...? Let's put it this way. Advertising tries something simpler and more believable: Products as heroes. I guess the idea is: When all else fails, put your faith in conditioner.”

“Correct me if I'm wrong here, but truth is something that arises out of the relationship between language and the world. If I look at a picture alone, it tells me nothing. In the previous incarnation of this lecture, I was going to put a picture of the Titanic and the Lusitania up on the screen. They look very, very similar - four smokestacks. They look almost identical. You look at either picture, true or false? Neither. Put a caption at the bottom of one of them, that changes everything. If you put in the caption, "This is the Lusitania," and the picture is a picture of the Lusitania, then the caption is true. However, the picture itself is neither true nor false. It's just a picture.”

“Listening to what people were saying wasn't even important. But it was important to look as if you were listening to what people were saying. Actually, listening to what people are saying, to me, interferes with looking as if you were listening to what people are saying.”

“I am profoundly skeptical about our abilities to predict the future in general, and human behavior in particular.”

“I believe that we face incredible obstacles in our attempts to see the world. Everything in our nature tries to deny the world around us; to refabricate it in our own image; to reinvent it for our own benefit. And so, it becomes something of a challenge, a task, to recover the real world despite all the impediments to that end.”

“You can think of my films as cautionary tales, but you might even think of them as despairing tales, because at least in a cautionary tale, you have this idea that by listening to the story you can assure a better outcome. Whereas I'm not at all convinced that's the case. In fact, if anything, I'm convinced that it's the opposite.”