"But as soon as I opened a dance school they went who does she think she is? She has become a guru! In their mind they could not accept that anyone could build a place not because they want to be a guru but because they want to give the best to a young bunch of girls. Guru Kelucharan Mahapatra was in charge of Odissi. Kalanidhi Narayan for Abhinaya. Kumudini Lakhia for Kathak. Kalyani Kuttiyamma for Mohiniattam. The Paul Taylor Dance Company did a workshop there. I was not the guru. I was the slave. I was working with my hands -- planting trees, digging the earth, typing, collecting the money. I gave up my dance."

“To my analytical mind this relationship of marriage was a very forced one between two people. I understood that for the security and upbringing of the child the parents need to be monogamous. Because then the child will have a secure home. But both people should understand and accept the fact that there would always be temptation. That's not bad in itself because what is temptation?”

“'Indian', , you will write Indian. And if they have a problem with that let them come and talk to me. They have no business asking you your religion. How is that the basis for an educational qualification?”

“I felt I had nothing more to learn. It was the same thing wrapped up in different packaging again and again. I am not a brilliant dancer at all. But my packaging is great. You know, I have been a hippie all my life. And the dreams of the sixties that I had of living in a commune, of sharing, of never having more than I can use, of living life joyfully in nature -- that was the spirit that was inside me. And in the isolation of being a dancer I thought where is the giving, where is the sharing, with me sitting so far in a cold place? I knew I had to get back and I had to share what life had given me through dance. I was willing to give up my dance and work and beg to realise this dream. Because it would still be my dream, it would still be dance but how much joy it would give so many bodies.”

“When I saw Odissi it could have been Kuchipudi or Thai for all I cared. No one knew Odissi then. I S Johar once introduced my performance saying 'Now for Protima Bedi's Udipi performance.' But when I saw it I knew that is what I wanted to do -- whatever it was. There was something so sensuously spiritual about it. I think I must have wanted that so much in my life.”

“This great man, Guru Kelucharan Mahapatra, a Padmashri and Padma Bhushan, would clean the gutter outside his house. He used to beat me. One slap from my dad and I had left the house. And my guru slapped me a couple of times because I was arrogant. I would be so angry I would pack my bags. But I knew I was there because I wanted to be there not because he wanted me to be there. And when I touched his feet it was not by rote. When I touched his feet he and I both cried because he had waited long enough for me to come to that.”

“The time has come for me to forget my past and live a future that even I am unaware of.”