"There is abundant evidence in Stoppard’s plays to show that he is as capable of emotion as anybody. In Enter A Free Man Linda is a finely tuned moral invention whose equivalents we might well miss in the later plays, if we really thought they should be there. The mainspring of Rosencrantz and Guildenstern Are Dead is the perception—surely a compassionate one—that the fact of their deaths mattering so little to Hamlet was something which ought to have mattered to Shakespeare."

“Borges, alas, had no particular objection to extreme authoritarianism as such. The reason he hated Peronismo was that it was a mass movement. He didn't like the masses: he was the kind of senatorial elitist whose chief objection to fascism is that by mobilizing the people it gives them ideas above their station and hands out too many free shirts.”

“His pear-shaped head, I could now see, was situated on top of a pear-shaped body, which his black gown caused to resemble a piece of fruit going to a funeral.”

“For the educated man, there is a moment of his early acquaintanceship with Dante when he realizes that all he has slowly taught himself to enjoy in poetry is everything that Dante has grown out of.”

“I should say in haste that his early poetry gave him the right to think of himself as a giant. But he was also a nutter, one of the manic-depressive type who, when in a downhill phase, accuse themselves loudly of being Hitler. .”

“...that's really the first thing to say about Speer's architecture. It was just awful. A genius without talent, he was essentially a theatrical personality, with enough gumption to be quiet about it.”

“It just never occurred to me that the real distance I would have to cross would be in my own mind. In that respect, I had flown half a million miles before I moved an inch, and these three volumes are just the rattling the side of my cot made when I climbed over, on the first stage of that long, momentous journey across the carpet, towards the light of the open door.”