"For my generation, Judd posed the same problem as Picasso did for the Abstract Expressionists; you either had to go over, under, around, or through him. Conceptual, process, and Earth Art, each in their own way, constituted a rejection of the ‘specific object'."
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"It is unbearable to consider that at this very moment that we are gathered together in this hall on this festive occasion, hundreds and thousands of prisoners of conscience are suffering from undernou…"
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