"I'm not afraid of life and I'm not afraid of death: Dying's the bore."

“Human life itself may be almost pure chaos, but the work of the artist — the only thing he's good for — is to take these handfuls of confusion and disparate things, things that seem to be irreconcilable, and put them together in a frame to give them some kind of shape and meaning. Even if it's only his view of a meaning. That's what he's for — to give his view of life.”

“The real sin against life is to abuse and destroy beauty, even one's own — even more, one's own, for that has been put in our care and we are responsible for its well-being.”

“There seems to be a kind of order in the universe, in the movement of the stars and the turning of the earth and the changing of the seasons, and even in the cycle of human life. But human life itself is almost pure chaos. Everyone takes his stance, asserts his own rights and feelings, mistaking the motives of others, and his own.”

“The road to death is a long march beset with all evils, and the heart fails little by little at each new terror, the bones rebel at each step, the mind sets up its own bitter resistance and to what end? The barriers sink one by one, and no covering of the eyes shuts out the landscape of disaster, nor the sight of crimes committed there.”

“Love without marriage can sometimes be very awkward for all concerned; but marriage without love simply removes that institution from the territory of the humanly admissible, to my mind. Love is a state in which one lives who loves, and whoever loves has given himself away; love then, and not marriage, is belonging. Marriage is a public declaration of a man and a woman that they have formed a secret alliance, with the intention to belong to, and share with each other, a mystical estate; mystical exactly in the sense that the real experience cannot be communicated to others, nor explained even to oneself on rational grounds.”

“You can't write about people out of textbooks, and you can't use jargon. You have to speak clearly and simply and purely in a language that a six-year-old child can understand; and yet have the meanings and the overtones of language, and the implications, that appeal to the highest intelligence.”