"I have a hard time thinking of men trying to sing my songs, because I think my perspective is very much feminine... For me the idea of having a feminine perspective is a willingness to be vulnerable. It's very easy to cock-rock and posture. I can't help but wear my heart on my sleeve—I'm like nervous endings. That's just the way that I am and, to me, that's very female because it's not a male thing to do. A male thing to do would be to fuckin' posture."

“It's about the girlfriend who left me last year. I tried to put all my anger in those words, even though I'm just as much to blame for the break-up. 'Soma' is based on the idea that a love relationship is almost the same as opium: it slowly puts you to sleep, it soothes you, and gives you the illusion of sureness and security. Very deceivable.”

“...Instead of taking the 'I'm cool, I hope you adore me' path , I chose the path of how to connect. I think that's the reason a lot of people feel a deeper connection with our band than other bands, and I also feel that's why people polarize on us. If you don't get it, it seems preposterous; if you do get it, it's really heavy -- it has a weight to it.”

“I think the original, 'They're the next Jane's Addiction' things that people said about us in the beginning have been pretty much wiped out.”

“I get more out of life just being myself, by just being a human being. Not by being a rock star, not by being whatever. Sometimes I act like a jerk, but I think people respect me for being myself. That's the ultimate thing about the Smashing Pumpkins.”

“The Smashing Pumpkins was never meant to be a small band. It was going to either be a big band, or a no band.”

“We're like a really nice drink. We help people get through the day--we make life a little sunnier. I don't think we have any profound effect. If anybody has had a profound effect, it's The Beatles, and their effect is still minimal. There are things in the world way more important than music. Family is 50 times more important than music.”