"Great artists are always far-seeing. They easily avoid the big stumbling blocks of fact. They rely on their own simplicity and vision. It is fact-fetichism that has given us those scores and scores of American books on America, the works of sociologists, anthropologists, topical "problem" hunters, working-parties and statisticians, which in the end leave us empty. Henry James succeeds because he rejects information. He was himself the only information he required."

“To be identified with the public is the divine gift of the best-sellers in popular Romance and, no doubt, in popular realism. E. M. Forster once spoke of the novelist as sending down a bucket into the unconscious; the author of She installed a suction pump. He drained the whole reservoir of the public's secret desires. Critics speak of the reader suspending unbelief; the best-seller knows better; man is a believing animal.”

“There is more magic in sin if it is not committed.”

“The present has its élan because it is always on the edge of the unknown and one misunderstands the past unless one remembers that this unknown was once part of its nature.”

“How extraordinary it is that one feels most guilt about the sins one is unable to commit.”

“On one plane, the very great writers and the popular romancers of the lower order always meet. They use all of themselves, helplessly, unselectively. They are above the primness and good taste of declining to give themselves away.”

“The nineteenth century will colonize; so, in its fantasies, did the nineteenth century soul. When Emma turns spendthrift and buys curtains, carpets and hangings from the draper, the information takes on something from the theme of the novel itself: the material is a symbol of the exotic, and the exotic feeds the Romantic appetite. It will lead to satiety, bankruptcy and eventually to nihilism and the final drive towards death and nothingness.”