"If one looks back, one perceives that the majority of our poetic authors owed their success to patrons who made their works a fashion. Chaucer, Spenser, Shakespeare, had noble or royal patrons; Milton there was no one to patronize, whence the market value of "Paradise Lost" rose only to ten pounds. Dryden belonged to the upper class, so he had a patron in himself; Pope was made a fashion through patronization: Bolingbroke alone would have sufficed to lift him up into fame."
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