Peter Greenaway on Books
Browse 26 quotations attributed to Peter Greenaway, catalogued under books, with dates where available.
This page displays 26 quotations attributed to Peter Greenaway and filed under "books" in QuoteLineage. The selection is ordered by stored importance and quality scores, not citation counts. A topic label describes how an entry is catalogued; it does not establish the theme's importance in the author's work.
Attributed to Peter Greenaway, entry #148947: "I want to describe the Body as a Book, a Book as a Body, and this Body and this Book will be the first Volume of Thirteen Volumes."
Attributed to Peter Greenaway, entry #97082: "The book to end all books. The final book. After this, there is no more writing, no more publishing."
26 Quotes by Peter Greenaway on Books
"I want to describe the Body as a Book, a Book as a Body, and this Body and this Book will be the first Volume of Thirteen Volumes."
"The book to end all books. The final book. After this, there is no more writing, no more publishing."
"Nagiko, I am waiting for you. Meet me at the library. Any library. Every library. Yours, Jerome."
"In one of the rooms of the Fortuny Palace there are eight books from Prospero's Library. They are magical books. In many senses all books are magical."
"What good are all these books to you? You can't eat them! How can they make you happy?"
"The moistened thumb of the expectant reader has not yet marked the soft tissues of this lean clean smiling volume. Spread me, and break me open, for pleasure."
"Jerome never liked me -- preferred my sister who was a little fool excited by modern literature -- all swear-words and scatology -- before it became fashionable."
"This book and I have become indivisible. I have placed my feet on this book's last pages, confident of standing so much higher in the world than I ever stood before."
"Is this a book exhausted from too much reading? Or too little reading?"
"And I've also written a play called Miranda, about what happens afterwards on the ship on the way home. It's about what happens to innocence and how it has to be destroyed."
"This is a book and a body that is so warm to the touch. My touch."
"No -- it's not necessary for a bookkeeper to read all the stock."
"Go on. Treat me like the page of a book. Your book."
"All this takes many clumsy and inexact word-descriptions to describe, but if we read paintings like we read books, it would not be such a hidden language for painting can effortlessly produce such elegant solutions."
"This book is gaudy like a gilded cauliflower which smells so bad after a good hot water soaking, like hot chocolate sweetened with sugar beet / incompatibles blended incongruously to no purpose."
"You could spend a lifetime reading in here."
"You see how even an illness can be romanticized. Tuberculosis got the treatment: Keats, the Lady of the Camellias, the foggy dew, and so on. We must make romantic literature out of cancer -- can you imagine that?"
"What is your favorite book?"
"Have you read all of them?"
"Blind eyes cannot read."
"Only from bad books."
"May I keep this book forever. May this book and this body outlast my love. May this book and this body love me as I love its length, its breadth, its thickness, its text, its skin, its letters, its punctuation, its quiet and its noisy pages."
"This book is past the first flush of youth. It is a book that is in puberty. It is hesitating, and from the vantage point of the mature reader, it is both a sad and amusing reminder of the part which is not always attractive enough to be revisited."
"One of my heroes, almost necessarily from what I'm saying, of course, is Borges, who is a supreme master of doing thing -- being a data bank -- and the beauty of this economy is that he could have written War and Peace in three or four pages; who knows, it might have been a better book."
"I've just been reading -- stuff to make your hair curl -- you go in that toilet -- that's the sort of stuff people read -- not this sort of thing -- don't you feel out of touch? Does this stuff make money? I bet you're the only person to have read this book -- but I bet you every man in this restaurant has had a read of that stuff in there... makes you think, doesn't it?"
"I invariably, after great familiarity with a film, concoct a personal way of reading it that relies entirely on information which a public audience would, I feel, have scant interest. I might travel from a casual unrehearsed glance of a minor character to a detail of folded cloth, from a rhyme in the dialogue to an over-excited high note in the music, from a misplaced shadow to a patch of rogue colour, from a shine on a furniture leg to a curious accidental photographic haze around a street lamp, from the examination of a cloud that looks like a snail to the discomfort of an actress who I know is stifling a sneeze."