Peter Greenaway on Knowledge
Browse 16 quotations attributed to Peter Greenaway, catalogued under knowledge, with dates where available.
This page displays 16 quotations attributed to Peter Greenaway and filed under "knowledge" in QuoteLineage. The selection is ordered by stored importance and quality scores, not citation counts. A topic label describes how an entry is catalogued; it does not establish the theme's importance in the author's work.
Attributed to Peter Greenaway, entry #153919: "I don't know what to say really -- except that you look immortal and I look bereft."
Attributed to Peter Greenaway, entry #187290: "Perhaps, sadly, in the end, cinema is only a translator's art, and you know what they say about translators: traitors all."
16 Quotes by Peter Greenaway on Knowledge
"I don't know what to say really -- except that you look immortal and I look bereft."
"Perhaps, sadly, in the end, cinema is only a translator's art, and you know what they say about translators: traitors all."
"It's strange. In the last five minutes you have used my Christian name over and over again and never before. People I like learn my name too late."
"You can play lacrosse all over the world provided you know where the goalposts are."
"You know to make his rigid, tedious, boring paintings seem at least a little human, the Mondrian enthusiasts keep insisting that Mondrian was a great tango dancer."
"Prospero has always felt most at ease in a study, surrounded by books."
"Imagine you are sucking the little fingers of a lady... or... no, you wouldn't understand that -- since you'd never get that close to a lady -- who'd want to get that close to you for God's sake?"
"And you would never know if she had feet."
"Americans don't understand what metaphor in cinema is about. They're extremely good at making straightforward, linear narrative movies, which entertain superbly. But they very rarely do anything else."
"I would be curious about one of those Jane Austen women -- you know -- long-suffering, dutiful -- but all right in the end -- a plump 19th century type, five foot four, ringlets, brown eyes, long fingers."
"Itch to read, scratch to understand."
"To be an atheist you have to have ten thousand times more imagination than if you are a religious fundamentalist. You must take the responsibility to acquire information, digest and use it to understand what you can."
"I also think that everyone has an elitist approach to his own art, a complex knowledge of it, whether he is a clockmaker or an engineer. And I think it's perfectly legitimate to make use of this knowledge because it enriches the overall texture of life."
"Human relationships are patterned and cross-patterned and restricted and limited and de-limited and caged and freed again by the elaborate conventions, rules, and games we call Civilisation … the rules and the games are often absurd and farcical -- sometimes they are tragic -- yet we tacitly acknowledge that they are necessary."
"As you probably know, I'm often accused of intellectual exhibitionism and all forms of elitism. Although I can understand this point of view, it's a rather wasted argument because, if we regard areas of information as being elite and therefore somehow not usable, it means our centre-ground of activity becomes very, very impoverished."
"You can say with safety that nowadays women have finally acknowledged their position of not liking men. We could say now that women don't like men. They can acknowledge that they prefer the company of their own kind. I think we can also say generally that most men do not like other men. Most men prefer to like women. So women are the most liked by the most people. Men love women, women love children, and children love hamsters. A one-way slide. There is little going back the other way. Can hamsters love children? I leave you to deduce the rest."