"The interlaced borders of the "Late-Roman" mosaic pavements and sarcophagus-edges, and even geometrical plane-patterns are introduced, and finally, throughout the Persian-Anatolian world, mobility and bizarrerie culminate in the Arabesque. This is the genuine Magian motive—anti-plastic to the last degree, hostile to the pictorial and to the bodily alike. Itself bodiless, it disembodies the object over which its endless richness of web is drawn."
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"But Strabo rejects this theory as insufficient to account for all the phenomena, and he proposes one of his own, the profoundness of which modern geologists are only beginning to appreciate. 'It is no…"
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