"The familiar style of epistolary correspondence is rarely attainable even in original composition. It consists in a delicate medium between the perfect freedom of ordinary conversation and the regularity of written dissertation or narrative. It is extremely difficult to attain this delicate medium in a translation: because the writer has neither a freedom of choice in the sentiments, nor in the mode of expressing them."

“If the order in which I have classed the three general laws of translation be their just and natural arrangement, which I think will hardly be denied, it will follow, that in all cases where a sacrifice is necessary to be made of one of those laws to another, a due regard ought to be paid to their rank and comparative importance.”

“But if authors, even of taste and genius, be found at times to have made an injudicious use of that liberty which is allowed in the translation of poetry, we must expect to see it miserably abused indeed, where those talents are evidently wanting.”

“In Latin two negatives make an affirmative; but it is otherwise in Greek, they only give force to the negation ...”

“... a translator may discern the general character of his author's style, and yet fail remarkably in the imitation of it. Unless he is possessed of the most correct taste, he will be in continual danger of presenting an exaggerated picture or a caricatura of his orginal. The distinction between good and bad writing is often of so very slender a nature, and the shadowing of difference so extremely delicate, that a very nice perception alone can at all times define the limits.”

“An ordinary translator sinks under the energy of his original: the man of genius frequently rises above it.”

“Works which consist of fact and detail demand a more scrupulous fidelity than those of which the basis is sentiment.”