"When you wish to see whether the general effect of your picture corresponds with that of the object represented after nature, take a mirror and set it so that it reflects the actual thing, and then compare the reflection with your picture, and consider carefully whether the subject of the two images is in conformity with both, studying especially the mirror. The mirror ought to be taken as a guide... you see the picture made upon one plane showing things which appear in relief, and the mirror upon one plane does the same. The picture is on one single surface, and the mirror is the same. ...if you but know well how to compose your picture it will also seem a natural thing seen in a great mirror."

“3 miglia più in là si trova li edifici della vena del rame e dello argento, presso una terra detta Pra Santo Petro e vene di ferro e cose fantastiche. (Ancient Italian)”

“truovasi di miglio i(n) miglio bone osteriee. (Ancient Italian)”

“Subito salse in me due cose: paura e desiderio: paura per la minacciante e scura spelonca, desiderio per vedere se là entro fusse alcuna miracolosa cosa. (Ancient Italian)”

“Fa vini potenti e assai, … e ‘l vino vale el più uno soldo il boccale e la libbra della vitella un soldo e ‘l sale 10 dinari, e ‘l simile il burro, ed è la loro libbra 30 once, e l’ova un soldo la soldata. (Modern Italian)”

“Movement will fail sooner than usefulness.”

“A shadow will appear dark in proportion to the brilliancy of the light surrounding it and conversely it will be less conspicuous where it is seen against a darker background.”