"Gino Severini and the Symbolist Aesthetics of his Futurist Dance Imagery, 1910-1915, by Shannon N. Pritchard"

“The intellectual abstraction of the second period of Cubism was of great importance, however. By its aspirations to the eternal and its 'concept of proportion inspired by the Classics' it revived the sense of craftsmanship concept in many painters. And this perfectly coincided with another of my ambitions – which was to make, with paint, an object having the same perfection of craftsmanship that a cabinet-maker would put into a piece of furniture.”

“The truth lies somewhere between these two aesthetics . The 'pure form' of w:Ingres led inevitably to a life-less Platonism; the lyricism and Romanticism of Eugène Delacroix no longer tailed with our cerebral and geometric age.. ..as in all great ages, today's artwork must be the synthesis of these two things .”

“.. generous display of scantily clad beauties and a carnavalesque inventiveness.. .. beautifully masked and under-dressed women, with showers of confetti, multicolored streamers. The atmosphere was one of frenzy..”

“I would like my colors to be diamonds and to be able to make abundant use of them in my pictures so as to make them gleam with light and richness.”

“Art is nothing but humanized science.”

“The need for abstraction and symbols is a characteristic sign of the intensity and rapidity with which life is lived today. It often happens that a word, a phrase, will serve to synthesize a complete action, an entire psychology. In the same way, one gesture, one essential feature, may, by suddenly throwing light upon our intuition, succeed in presenting to our vision the total reality.”