"Has there ever been a musician of cultural significance who's been aware they're significant? Maybe it's a generation whose parents came from a working class environment and because they were rootless in a way, like me and him, they latched onto that as an identity. Maybe we romanticise what our parents wanted to escape from. We're, like, fantasising out a living."

“Each man kills the things he loves". I recognise that in myself, in relationships, even with guitars, beautiful things that I've had and wilfully destroyed.”

“With drugs, I think the sort of person that would die from an overdose is gonna die soon enough anyway, because they’ve got that will to destroy what’s left of their life.”

“The main instinct a lot of the time is to masquerade and hide the truth at all times. Whereas in reality what happens in songs is laying bare the truth. So a lot of time it's fighting that instinct, and the songs become almost confessional. They can also be quite condescending to myself, almost like I'm putting myself down.”

“I knew I was destined for London, so I came to live with my nan in her council flat. It was the summer after my A-levels. Got a job in Willesden cemetery. I was getting a man’s wage, filling in graves. Stood around while they did the last rites. Cut the grass. A lot of the time I’d just sit on the gravestones and read and write. Scribbling away.”

“Until I was nine years old I thought 'cunt' was a term of endearment”

“I know the basic facts cause they’ve been repeated again and again across various duty desk counters at police stations over the past months and years: I’m 6ft 2in, green-brown eyes. Distinguishing features: moles. Tattoos: loads. Got a wolf, a mermaid, a heart with a K in it. They don’t go through your personality traits.”