"Last, but not least -- in fact, this is most important -- you need a happy ending. However, if you can create tragic situations and jerk a few tears before the happy ending, it will work much better."

“But after having worked with Manikda, working in Bombay was confusing. I was too normal and realistic in front of the camera — the way Manikda had always taught me. But the Bombay directors wanted more energetic and louder acting. But today, most actors act that way.”

“...Indian cinema does not stand for just Bollywood. Kolkata is the place of Satyajit Ray...”

“He always played the role of a story-teller — something that can be considered his most important contribution to the world of film making.”

“I never imagined that any of my films, especially Pather Panchali, would be seen throughout this country or in other countries. The fact that they have is an indication that, if you're able to portray universal feelings, universal relations, emotions, and characters, you can cross certain barriers and reach out to others, even non-Bengalis.”

“Sometimes even Satyajit Ray was criticized for portraying only the poverty of Bengal. That poverty is not the whole story of India, just a part.”

“In the late 60s, there was a big probability of Satyajit Ray coming down to Hollywood to shoot The Alien based on his own short story which appeared in the then popular Bengali magazine, Sandesh. The film was to be produced by 20th Century Fox and Hollywood was waiting to embrace Ray with open arms. Alas! Due to some dirty politics played by unknown quarters, Ray's Hollywood dream had to be shelved. I have no qualms in admitting that Spielberg's E.T. was influenced by Ray's Alien. Even Sir Richard Attenborough pointed this out to me.”