"I made the flames lick the surface of the painting in such a way that is recorded the spontaneous traces of the fire. But what is it that provokes in me this pursuit of the impression of fire? Why must I search for its traces? Because every work of creation, quite apart from its cosmic position, is the representation of pure phenomenology – every phenomenon manifests itself of its own accord. This manifestation is always distinct from form, and is the essence of the immediate, the trace of the immediate."

“detailed biography of Yves Klein”

“This period of blue monochrome was the product of my pursuit of the indefinable in painting which that master, Eugène Delacroix was able to indicate even in his day.”

“It was in 1947 that the idea of a conscious monochrome vision came to me.. .Pure, existential space was regularly winking at me, each time in a more impressive manner, and this sensation of total freedom attracted me so powerfully that I painted some monochrome surfaces just to 'see', to 'see' with my own eyes what existential sensibility granted me; absolute freedom! But each time I could neither imagine or think of the possibility of considering this as a painting, a picture, until the day when I said: Why not?”

“A bill for 20 grams of Pure Gold, for one painted area of sensibilized immaterial.”

“In 1946, when I was still an adolescent, I went and signed my name on the other side of the sky during a fantastic 'realistico-imaginary' voyage.”

“Dubbed as a Knight of the Order of Saint Sebastian, I espoused the cause of pure colour, which has been invaded by guile, occupied and oppressed in cowardly fashion by line and its manifestation; drawing in Art. I aimed to defend and deliver it, and lead it to triumph and final glory.”