", Worpswede, I cannot get you out of my mind. There was such atmosphere there – right down to the tips of your toes. Your magnificent pine trees! I call them my men – thick, gnarled, powerful, and tall – and yet with the most delicate nerves and fibers in them. That is my image of the ideal artist. And your birch trees – delicate, slender young virgins who delight the eyes. With that relaxed and dreamy face, as if life had not really begun for them.. .But then there are some already masculine and bold, with strong and straight trunks. Those are my 'Modern women'. And you willows, with your knotty trunks.. .You are my old men with silver beards. I have company enough, indeed I do, and it's my own private company. We understand each other well and nod friendly answers back and forth. Life, life, life!"

“We cleave to the past too much in Germany. All of our German art is too bogged down in the conventional.. .I think more highly of a free person who consciously puts convention aside.”

“I was reading about and looking at Mantegna . I can sense how good he is for me. His enormous plasticity - it has such powerful substance. That is just what is lacking in my things. I could do something about that if I could add his substantiality to the greatness of form I'm struggling for. At present I see before my eyes very simple and barely articulated things. My second major stumbling is my lack of intimacy. Mackensen's way of portraying the people here is not great enough for me, too genre like. Whoever could, ought to capture them in runic script..”

“This past summer I realized that I am not the sort of woman to stand alone in life. Apart from the eternal worries about money, it is precisely the freedom I have had which was able to lure me away from myself. I would so much like to get to the point where I can create something that is me. It is up to the future to determine for us whether I'm acting bravely or not. The main thing now is peace and quiet for my work, and I have that most of all when I am at Otto Modersohn's side.”

“Recently I have felt just what the mood of colors means to me: it means that everything in this picture changes its local color according to the same principle and that thereby all muted tones blend in a unified relationship, one to the other.”

“I want to go further and further. I can hardly wait until I am a real artist. And then I long so for life. I've only begun to get a little taste of it.”

“I am constantly observing things and believe that I am coming closer to beauty. In the last few days I have discovered form and have been thinking much about it. Until now I've had no real feeling for the antique. I could find it very beautiful by itself. But I could never find any thread leading from it to modern art. Now I've found it, and that's what I believe is called progress.”