"I met at the performance of my "Battle." Most of the composers then in Vienna were kind enough to undertake something or other in my orchestra, and the young man played the big drum. Ha! ha! ha! . I had reason not to be very well satisfied with him. He was always behindhand, and I had to give it him roundly. He must have felt mortified by my observations; but there is no reliance to be placed in him; he has not the courage to raise his arm at the proper moment."
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"This exchange – mainly in the form of letters – was not only about painting and art, but covered everything to do with one's existence and the philosophical or religious colouring, in a word: for the …"
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