"How can you not sell the first three Bunnymen albums? It's like, how can you not sell the Mona Lisa, Van Gogh's Sunflowers, and The Garden of Earthly Delights by Hieronymus Bosch?"

“People here are always asking me, "Can you play 'Lips Like Sugar' on an acoustic guitar?" And I'm like, "No!" It was an OK song, I suppose, but it didn't sound like us. We just got sucked into a new mentality on that last album, the sound of Radio America. It did great here, but by then I just thought we weren't good enough any more. It was pretty happening, the States was building and building but it didn't feel good on stage. We weren't really communicating as mates and stuff. I mean, I was used to believing that we were the best group going.”

“I just can't understand why they carried on with the name. It did them no favours, and however it can be defended, it spoils the memory. It's not so much that it's unforgivable, but it is a pity that we don't see each other and never talk to each other.”

“We took loads and loads from the Bunnymen certainly in terms of being inspired, so, you know, we'd already stolen all his ideas.”

“When all's said and done, I wish them well. I wasn't just the one that ranted a bit in interviews and thought he was great. I thought the group were great.”

“How I wanna be exciting is by hitting a great note and people going, "Whoo!" I'm more Tony Bennett. He sings notes that don't exist! The hooter, the hair, the man's like a chiseled Roman god. With the Bunnymen, I was much more Mick Jagger holdin' me willy on stage and wearin' no undies and all that. Now I'm more Cary Grant.”

“I was always really dubious about them actually. I'd heard some of Morrison's rambling poetic stuff, and I thought it was really pretentious... But now I think they're a great group, I must admit.”