"My biggest influence was my father, Rolf Forsberg, who was a successful independent filmmaker in the '60s, '70s, and '80s, doing mostly shorts, religious films, and eco-green-movies before they were cool. My friends and I would watch his films over and over again when they slept at my house. I got my first super 8mm camera when I was nine and I’ve been making movies ever since."

“I try not to wink at the audience too much or laugh at my own satire. Good B-movie camp has to be played deadly serious. Let the audience do the chuckling.”

“When you look at three hundred people, you’ll find some that just fit. It’s like a bell rings, “They’re perfect. That’s them!” Then once that happens, eighty-percent of communicating the world to them is achieved. They are now communicating that world to me. We’re now creating it together. I’m a very collaborative director. I bring them into the world by being excited. I try to give that to them and give them a tremendous amount of leeway to let them build up their characters.”

“Movies are going to go away eventually. I just want to make sure that, when they do, they turn into something better.”