"We were never looking for a different lifestyle. We weren't doing it for fast cars and big houses and there doesn't seem to be any regulation in terms of lots of model chicks following us around like idiots. It's not like we have to reach back and try to hang on to our roots. We never left them. Our lifestyles haven't changed. Maybe we're making mortgage payments now instead of rent payments, and we own the car we're driving instead of making payments on it, or maybe we're driving a new car instead of a $500 15 year old car. But we're still driving to the same places, we still live in the same neighborhood, we still have the same friends."

“He's like one of my best friends in the world. Absolutely genuine guy, I swear on the bible.”

“There was a time in the middle of my depression when I basically stopped eating. I wasn’t doing it to lose weight or anything — I just forgot to eat. I got down to 145 pounds, which is pretty skinny. I'm 6'3". And then I read an article in a magazine by a doctor talking about his experiences with anorexia, and everything started to make sense — the aches in the joints, the headaches, the way my bones felt as if I could bend them with my hands. I started eating again. That was much better.”

“I don't know how everyone else feels, but I definitely go through periods of extreme self-confidence, feeling like I can do anything. Perhaps a fan will sense that, like in a performance, and the hero image creeps out. But then someone will say something, however insignificant, or I'll get something in my head and, all of a sudden, I'm plummeting in the opposite direction, I'm a piece of shit, and I really can't do anything about it. That's where 'Outshined' comes from, and why I'll never consider myself a hero.”

“Hip-hop kind of absorbed rock, in terms of the attitude and the whole point of why rock was important music. Young people felt like rock music was theirs, from Elvis to the Beatles to the Ramones to Nirvana. This was theirs; it wasn’t their parents’. I think hip-hop became the musical style that embraces that mentality.”

“Have you noticed how Lollapalooza isn't this multi-cultural, multi-sexual, multi-racial event at all? What Perry Farrell never admits is that it's just a slick rock concert with a good name and his ambition is to make a lot of money. Perry has a very good manager. He even has a percentage on the parking. It's a huge draw, and what people don't realise is it's far from being just the 'alternative college' crowd who go. It's very mainstream and very middle class. Even when we did it in 1992 with Ice Cube, the whole audience was entirely white.”

“Chris was a friend for many years, and an incredible artist, a wonderful human being. I’ve always been inspired by his work ethic and talent, and his band Soundgarden, they were a big influence on us. It’s obviously very sad, I still don’t really know how to really discuss it personally, but I think at this point it’s time to maybe focus on the type of man he was, and the type of human being, and the type of artist. And incredible depth. Our bands helped each other in the early days, we were all under the same roof with Susan Silver managing them, Kelly Curtis managing Mother Love Bone and then Pearl Jam, and they jointly managed us. We were all in the same little office above The Central Tavern, and that was the home base. I’m going to miss him immensely, but I also celebrate his life and his life’s work. Ann called me and said she was thinking about doing something for our friend , and asked me if I would join her. Anytime she calls I’m there, and if it’s for Chris, of course, absolutely.”