"My job is to help the world..That is what an artist's job is—to the degree that we can. That is nothing more than holding up a mirror and saying, 'You're beautiful, baby.' Or holding up a mirror and saying, 'Look at the shit that you're doing to yourself. Maybe you should stop.' It is an artist's job to speak truth to power."

“This was what I’d asked her to give me. I had no right to complain just because it wasn’t what I wanted to hear.”

“…You’re still putting a pretty hefty mental commitment into making a short story. Even though it’s relatively brief, you still have to come up with a world that’s coherent. I find short stories almost as difficult to write as novels, it’s just less time-consuming. Short stories are hard for me. That’s why the collection is something like fifteen years worth of short stories. They asked me to write several new ones for the collection and I was just like, Not likely to happen. In fact, I can really only write them when I’m between novels because they take away from whatever energy I’m trying to pour into a novel.”

“Very quickly I fell in with others like me—newcomers, dreamers, young people drawn to the city in spite of its dangers because sometimes, for some of us, tedium and familiarity feel worse than risking your life.”

“The pasts that I draw upon tend to be mythic pasts. I’m not super interested in writing historical fantasy. I have done that a few times in the case of subject areas that I felt like should have been explored more, like the Haitian Revolution, for example. But for the most part, I’m more interested in exploring the gods that we could have had. Or these are the creation myths that we could have explored. I’m not super interested in existing mythology, though existing mythology does inform just about everything that I’m coming up with. But that’s more along the lines of, This is how mythology should be structured, so you need to look at existing mythology to understand that. If I’m trying to come up with a secondary world, the goal is to use not too much of the existing world…”

“This is the year in which I get to smile at all of those naysayers – every single mediocre insecure wannabe who fixes their mouth to suggest that I do not belong on this stage, that people like me cannot possibly have earned such an honour, that when they win it it’s meritocracy but when we win it it’s ‘identity politics’ –… I get to smile at those people, and lift a massive, shining, rocket-shaped middle finger in their direction.”

“What happened when people who’d once possessed absolute power suddenly lost it?”